About the Awesome

This blog contains the random thoughts of an 18-year-old vocal performance major. Proceed with caution.

About Eric

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Thornton, CO, United States
Showing posts with label musicals. Show all posts
Showing posts with label musicals. Show all posts

Sunday, October 16, 2011

Memory... All Alone in the Moonlight...

So, just so you're not disappointed, this blog entry is not about Cats. Even though it's a wonderful show, I just thought the title would be a good hook to get you in. Do not be entirely disappointed, however. I am in no way suggesting that there will be no future installments on the Blog of Awesome in which Cats is involved. However, for the purposes of this entry, there will be no Cats. Sorry.

(And if you're actually adverse to Cats and are happy that that is not the topic of today's entry, then congratulations.)

So, anyway, I've been studying for a Psych exam I have on Tuesday, and one of the concepts that we're studying is memory. (Intriguingly enough, another concept we're studying is the actual concept of the concept, but I won't spend too much time on that.) And, there are some eye-opening things as well as some blatantly obvious things that I'm reading in the two chapters pertaining to the, dare I say, memorable concept of memory.

(I'm sure I learned some of this stuff in IB Psych, but I don't quite remember. And now, thanks to this chapter, I know why. :D)

What I think interested me most is the whole idea of interference. Our long-term memory is essentially limitless, but we have memories both from before and after we learn certain things interfere with what we're trying to recall or recognize. For instance, when I take Italian next semester, I'm sure that my past knowledge of Spanish will interfere with my ability to learn Italian, since the two languages are so similar. This is what is called proactive interference, in which memories from the past are interfering with memories encoded afterward. The opposite can take effect as well. If I become fluent in Italian (and, as a Vocal Performance major hoping to pursue a career in opera, this is probably not a bad idea) and then my knowledge of Spanish diminishes, then retroactive interference has occurred.

Another intriguing concept is the idea of mood-congruent memory. If I'm happy while studying for this test, then I had better be happy when I'm taking the test, because that actually has an effect on my performance. Also, the setting should be similar. Unfortunately, that's probably unlikely, because my dorm setting is quite different from my setting in the Psych lecture hall.

And, of course, the one thing that I kind of already knew but never ever adhered to (as a result of confirmation bias and overconfidence, but, again, that's another chapter in my psych book), was the idea that things should be studies over a long period instead of cramming. So, really, I should have been studying this stuff as I learned it in class, rather than working the entire last weekend towards the test.

Which leads me to the point of this blog entry, which is almost in now way related to the title (ironically enough). Perhaps it's time to change my studying habits. I've already found that it is a lot easier to study and do homework at college than it was in high school, despite the fact that I have a TV, laptop, and various other means of distraction in my room. Perhaps I need to take more advantage of the situation I've placed myself in and study things more regularly, rather than just before a test. I know that a lot of you reading this are like "Well, duh," but this is somewhat epiphanic for me. Maybe I'm inspired to study more simply because dropping grades could bring an end to my scholarship and send me home, or maybe I'm a big nerd (probable), but this seems like a good lifestyle change for me. Especially if I decide to minor in Psychology, which requires a lot of memorization and consistence to master. (Or, since it's what I want to minor in, somewhat master. Haha.)

If you've made it this far and you're sad that I haven't discussed Cats, then I'll throw you a bone (which is more of a dog metaphor, but I'm sure you'll pardon it for now). The Rum Tum Tugger is the best character, possibly followed by Macavity, and Skimbleshanks annoys me. Also, I don't understand why everyone respects Bustopher Jones, Old Deuteronomy, and Gus the Theater Cat, but they (initially) deplore Grizabella. It just seems like there's not a theme. Grizabella is avoided because she is old, but so are the other three cats I named (though I suppose Bustopher could be interpreted as middle-aged). Still, though, that's really the only thing you should question about Cats, because it is an excellent show and no one can say otherwise.

Thank you.

Wednesday, November 17, 2010

Les Mizzzzz! :D

Now, I don't usually blog critiques, but tonight I saw the 25th Anniversary Concert of the ever famous musical Les Misérables, which I've always known to be an excellent musical-- it is, in fact, indirectly, the musical that convinced me to join the Thornton High School choir department. This production was so phenomenal, it was pretty much ridiculous.

The singers were, of course, excellent. Lea Salonga (formerly Eponine-- she played Fantine in this performance) was probably my favorite. Her portrayal of Fantine was true to every virtue of the character, and was highly reminiscent of Salonga's role of Kim in Miss Saigon (interestingly enough, another show with music written by Claud-Michel Schönberg). Both characters are virtuous and pure, and yet have degraded themselves in order to survive in a cruel world. Of course, my first thought was "Look she's Asian," but I digress.

The gentleman who played Jean Valjean-- Alfie Boe-- of whom I've never heard, was pretty good. Actually, he was excellent, but he broke character at the end of "Bring Him Home," and actually acknowledged the audience's applause. Yes, I know that it was a concert, but I think his breaking of character severely weakened his performance in that song, which is, of course, a very important song not to break character in. The performance didn't seem to be quite all there, and it was nothing compared to the original Jean Valjean, but it was still highly impressive and moving.

Now, of course, I must move onto the show's weakest link-- Marius, played by none other than the Disney Channel pop sensation himself: Nick Jonas. "WHAT, Eric? Nick Jonas in Les Mis?" Why yes, good person. Jonas actually did fairly well for himself, but I'm not sure if I would choose him as the Marius for the 25th Anniversary Concert (I mean... isn't the point of the concert to create a dream team Les Mis cast?) He can carry a tune, of course, but I felt that he was too often switching into his pop voice-- especially during "A Heart Full of Love" and "One Day More." However, his rendition of "Empty Chairs at Empty Tables" was, with the possible exception of his low notes, pretty good.

The Thernardiers were good... they weren't quite as over-the-top during "Master of the House" as the originals, but they played the part well. They were especially good in their final song.

Norm Lewis was Javert-- the role that I would most love to play. I actually got really excited when I realized that he played King Triton in Little Mermaid-- so I actually had seen him perform live, which was pretty cool. He captured the essence of the character, and his rendition of "Stars" was absolutely gorgeous.

The guy who played Enjolras-- Ramin Karimloo (apparently, he also originated the Phantom in Love Never Dies)-- was a highlight of the show. His performance was energetic and moving, and the girl I was sitting next to wants to marry him, but who wouldn't?

I've always been kind of annoyed by Cosette, and this was no exception. The girl who played Cosette played the role quite well-- it's just a role that grates on my nerves. Eponine-- who was played the wonderful Samantha Barks-- was wonderful, and could take Cosette any day.

That's really all I have to say. The performance was EXTREMELY moving and wonderful. I have never been to a performance that has left me physically exhausted and panting for air at the end, and please bear in mind that this was a recording of the concert. If I had seen it in person, I probably would have just died of heavenly shock.

Also... they're making Les Mis into a movie!! :D :D Though rumors had, of course, been moving around, this was pretty much the first time that Cameron Mackintosh had confirmed the movie, so my friends and I were very excited. I will most certainly be going to that midnight premiere.

Good night, blog friends. Until another day.